As part of my spring cleaning this year, I decided it was finally time to clean out the mess of obsolete AV gear in the family room. Two 200-disc CD changers? Gone! Laserdisc player? Gone! Original Xbox, DXS, Slink-E, 100 Mb/s switch, DishPlayer, S-VHS player? Gone, gone, gone! 32-inch, 185-pound television set and bulky stand? Oh, that is so gone (and carried out of the house by someone else). Actual television service was gone several years ago, when Dish Network stopped supporting the WebTV DishPlayer, and I really hadn’t missed it.

But now that things have settled down in HD-land (apart from the 3-D nonsense that I want no part of), I decided I could safely buy a decent LED-backlit HD TV and Blu-ray player, and find the least-outrageously-overpriced TV service to subscribe to that included TV Japan (which turned out to be Dish Network again).

But of course I needed something to watch in HD. My Blu-ray collection is small, and the expensive but poor selection at Amazon Japan suggests it will remain so for some time, but there’s still some anime getting released in the US, so in addition to the AsoIku OVA, I now own a copy of Ichiban Ushiro no Daimaou.

It’s not bad at all, and I certainly don’t regret the purchase, but my primary reaction to it was “I’d love to see the story this highlight reel is based on”. Compared to AsoIku, it feels incredibly rushed: the relationships, the escalating situation, the development of the supporting cast. It just rips through the material at a breakneck pace, leaving very little time for the viewer to connect with any of it.

Both series are based on roughly the same amount of original text. Daimaou is, as far as I can tell, based on the first five novels in the series. AsoIku is based on the first four novels, plus the end of the sixth and a standalone story pulled from the ninth, and some scenes that appear to be completely original. Light novels are short, episodic, and dialog-heavy, making it reasonable to convert one book into 2-3 episodes without losing too much, so why is one so much more coherent than the other?

Focus. In AsoIku, they trimmed and consolidated the cast to focus attention on a small band of heroes facing a single villain; there are some dangling plot threads and mystery characters, but they round out the world without distracting from the core story. In Daimaou, not so much. I lost count of the factions, and couldn’t tell you who fought who for what reason. Or, really, when and why Junko fell for Akuto. Honestly, unless I’m in the mood to take notes, I think my primary motive for rewatching it will be Peterhausen.

Well, that and the fan-service.

[I am sufficiently intrigued that I’d consider reading the novels, but I’d have to do the OCR and proofreading myself, since all I’ve found are scans. If I’m going to do that much work, I’d rather do it for a story I’ve already spent some time on, like Rune Soldier. After I finish with AsoIku, of course, which is now in unexplored territory; among other things, book five appears to be building up the tie-in to the author’s first novel.]

Nearly three years ago, I had my first real success at reading Japanese prose written for a native audience. Getting through 30 pages of the first Rune Soldier Louie novel was a big accomplishment, given that I had to look up more than 600 new vocabulary words by painstakingly writing the kanji on my DS Lite or looking them up in printed dictionaries. It took nearly a month, an hour or two at a time.

That was before the demise of my group reading class, and my Japanese hasn’t improved very much since then. I’ve been treading water while waiting for Ooma to grow out of the startup lifestyle, and, yeah, that ain’t happened yet. My new scripts made it possible to read a complete novel in a reasonable time, but while the Rune Soldier novels have been scanned in, no one has gotten around to OCRing them. So I’m doing it.

1. A ~1200x1800 PNG is adequate for Japanese OCR with Abbyy Finereader Pro (Windows only; the shiny new Mac App Store version does not include Japanese), but not great. It flags almost all of its possible errors, but there are maybe a dozen kanji per page that have to be checked, and the low resolution results in a number of small-kana errors and random guesswork.
2. JPEG just sucks for OCR; I really wouldn't want to proof a series that was only available as JPEGs.
3. The scans for some series that haven't been OCRd are only ~800x1200; even as PNG, those can't be fun to OCR. Time to build a DIY Bookscanner!
4. My scripts currently don't handle oddball furigana well; in Rune Soldier, a number of ordinary words are given phonetically-written English readings, some quite long, and they create layout problems in pLaTeX.
5. I need to figure out how to tell pLaTeX to break lines more aggressively; the small page size and tight margins of the Kindle means that a sloppy line break can leave an entire character offscreen; rare, but annoying.

That said, I successfully OCRd and proofed those same thirty pages that I read three years ago, ran them through my scripts, and read the story. It took about two hours to prep, and another two hours to read. I found some more errors that need correcting, but the first pass was perfectly readable.

I’ve also formatted and re-read Nishimura’s Ame no Naka ni Shinu, and the Kino stories Kioku no Kuni and Watashi no Kuni. I’m going to hold off on OCRing the rest of Rune Soldier 1 for a while, though, and focus on reading what I’ve got, which includes the second Kino novel and Tsutsui’s well-known Toki o Kakeru Shoujo. Oh, and I just remembered that copy of Kanjousen Pete typed in; that one’s already prepped for formatting.

Merrill reflects on Ila’s qualifications….

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…a little Eineus must fall.

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In Kino’s Journeys, the title character is a teenage girl who travels the wilderness on her talking motorcycle, stopping only briefly in each isolated city-state she finds, observing life while reserving judgement, surviving unpleasant encounters using her wits and pistols.

Gakuen Kino is a parody spin-off, featuring magical girl Kino and her talking cellphone strap, fighting monsters in a not-so-ordinary high school.

I’ve read several of the Kino stories, and have finished about 33% 68% 98% of the first novel, but I found the mere existence of Gakuen Kino so amusing that I bought it on sight, and hope to read it at some point. Sadly, while it has been scanned in, no OCR’d, proofread edition is available, so I can’t run it through my scripts to speed up the reading experience. It will have to wait.

I grabbed the scans to get the interior illustrations, but I noticed something a bit unusual about them. The zip file correctly lists it as 学園キノ by 時雨沢恵一, but when you unpack it, the directory claims to contain 面白くないキノ by オナニ沢ケーイチ.

For the kana-deprived, the title has been changed to Omoshirokunai Kino (Boring Kino), by Onani-sawa Keiichi instead of Sigusawa Keiichi. Onani means masturbation. The scans match my copy of the book, so it’s just editorial commentary rather than vandalism, but still a bit of a surprise.

Anyway, here’s one of the color plates from inside the book. No onani, please!

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“Shut up, kid; that’s the way I tell it.”

There’s a fresh manga adaptation of the original Dirty Pair SF novels running in Japan (via The Leaning Tower of Damocles). I will cheerfully confess that I didn’t like the illustration style used for the novels, but I’m not sure this is an improvement. I’ll take the Eighties anime & comic versions, please; these are a bit over the top.

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I am compelled to make the following observations about the first novel in the Asobi ni iku yo! series.

1. The series title is given a wonderful Engrish translation as furigana: “Us It goes to play in Your house”.

2. The compound noun 食料合成機 (literally “food synthesis machine”) has the following pronunciation as furigana: ソイレント・グリーン.

For the kana-impaired, instead of shokuryou-gouseiki, it’s to be read as soirento gureen. Not having seen the anime (yet), I do not know if this joke was carried over.

Unrelated: A shrine maiden, a buddhist nun, and a “catholic” nun walk into a bar, and…

No, wait, that’s not a bar, it’s a porn novel. My mistake.