It doesn’t appear that the Mai-HiME manga has been licensed for the US market yet, despite the expected popularity of the anime. Pity, really, because I’m curious how the usual hack translators would deal with the last page of the first volume. A Strange Cute Girl (one of many) has just entered Our Hero’s dorm room, stripped off her panties, and pushed him to the ground. The volume ends with a full-page panel of her straddling him, speaking the line:

私の鍵穴も開けて下さい。

Our Hero seems more shocked than excited by this statement, but it’s understandable, since he’s still discovering just how peculiar his new school (and its girls) are. Unfortunately for him, I’ve seen enough spoilers from the (very different…) anime to know that neither shock nor excitement is the right response to a bold invitation from this girl. “Fleeing in terror with his manhood protected by a sturdy shield” just about covers it.

My other response to this scene was “hey, I just read that, and only had to stop and think about one of the kanji” (鍵, which I haven’t gotten to in my writing practice yet; I know the word, and they provided furigana that made it clear). Okay, the others are extremely common, basic kanji, but the point is that I was reading rather than deciphering.

Today I did my part to keep the Cha-Cha Maru afloat. No, I didn’t send Robert a box of Chachamaru cookies, or a case of Chachamaru for kitchen. I just ordered a few more anime DVDs to add to The Great Unwatched Pile on my coffee table, which I hope to make at least a small dent in soon.

• Ah! My Goddess TV, discs 4 & 5 (good stuff).
• My-HiME, discs 1 & 2 (fluff! super-powered schoolgirls with mecha!).
• Kaleido Star New Wings, discs 2 & 3 (if it's even half as good as season 1, it's worth every penny).
• Girls Bravo, discs 5 & 6 (well-drawn plot-free fluff).
• Tenjho Tenge, discs 5 & 6 (hot girls, big fights, trainwreck of a plot)
• Maburaho, discs 6 & 7 (yes, I know Yuna turns into a nagging bitch; I always liked Kuriko better anyway, even though the phony-widow landlady is the real prize).
• Daphne in the Brilliant Blue, disc 7 (wins the award for "most obvious use of fan-service to hide the inept scattering of plot crumbs", but Maia's adventures are fun, and the series has inspired two of my Bad Haiku: "pointy chin, nice ass, / someday there will come a plot; / meanwhile, that must chafe." and 「その服に寒いよね。でも、お尻いい。」
• DearS, disc 4 (they had to do some plot surgery to the manga to tell a complete story, and they left a lot of threads dangling for a second season that will never come, but I really like it, and you can never go wrong with dancing chibi in the credits).
• Burst Angel, discs 5 & 6 (pretty drawings, poorly-integrated CGI, trainwreck of a story).
• Crest of the Stars, box set (recommended by some guy I trust).
• Stratos 4, box set (likewise).
• Tsukuyomi: Moon Phase, manga volume 3 (nekomimi gothloli vampire, what's not to like?)
• Hyper Police, manga volume 6 (I always thought the anime deserved a second season...).
• Haibane Renmei, original soundtrack (I can never manage to get that song out of my head, so it might as well be on my iPod).

I think I’m way overdue for twin posts on music and manga, especially since I just finished region-converting my dozenth Hello!Project DVD. The latest one is the concert video Folk Songs 3, which not only has the usual cute jpop idol girls, but an older male vocalist whose work I’ve acquired an interest in recently, Gen Takayama.

And I’m still trying to relocate the reference in one of my books to the original Cha Cha Maru. I’m sure the ship in Plastic Little played some part in the naming of the robot girl in Negima, but the name 茶々丸 goes back at least to the Ashikaga period. Tea cookies, kitchen cleansers, pet hunter ships, and robot girls are an odd group to be tied together by a name, and I just want to know how it got started.

[ah, there he is! I knew I’d run across a Chachamaru in the Ashikaga period. Turns out he was even in the Ashikaga family, and a rather ruthless fellow. I doubt there’s anyone named after him.]

[…and another Chachamaru reference in anime: apparently it’s the name of a bar in Maison Ikkoku]

Later, I’ll be making a major revision of my translation of the Dirty Pair theme song Russian Roulette, but there’s something I want to get in writing before I forget it.

When I started going through the lyrics, I felt very strongly that the omitted pronouns should be “I”. Discussing it last night with my teacher, we disagreed on a few of them, but I still believed that I was right.

While working out this morning, I realized why: the singer is speaking for Kei and Yuri; she’s a woman pursuing a man romantically, but the life she leads forces her to describe the chase in terms of a secret agent hunting an enemy. Everything in the song is about her; her life, her risk, her heart, expressed to him the only way she knows how.

He’s the listener, addressed directly – “anata” – but never the subject.

Force your audience to listen to these video game dubs first…

Anime News Network is reporting that Green Green has finally been licensed for US distribution. This is an ecchi fanservice comedy from mid-2003, in which the creators compensated for their inability to show hardcore sex by cranking up the wackiness and perversion. Based on a dating-sim game, of course.

From what I’ve seen, it’s well-drawn, with some decent voice actors and a catchy OP song, but when your comic antics include “male supporting character raped by bear” and “female supporting character kidnapped and molested by pack of monkeys” (both mostly off-camera, thankfully), it’s understandable that it wasn’t at the top of the list for licensing.

[From Steven Den Beste, originally posted in my comments]

So here I am in beautiful downtown Beaverton OR, leeching internet connection off a free public WiFi system in the Beaverton Mall. I’m living in a motel, and I’ve found an apartment, but I can’t move into it until Feb 3, and won’t have internet connection at home for another couple of days after that. So until then I have no web site and no email, and decided that the only way I could offer an update to interested parties was by abusing J’s hospitality – or at least, by abusing his comment system.

After I got up here, I spent a week trembling and shivering and sweating because I had no internet connection at all. So I finally broke down and bought a notebook computer, which has built-in WiFi. First thing I did was spend an hour uninstalling all the sample programs and suchlike which Compaq polluted the hard disk with, and deactivating features in XP Home that I didn’t want. I’m sure I didn’t get them all, but at least now when I boot the computer I only have to kill one popup balloon in the tray instead of six.

When I was shopping for laptops I went into BestBuy here in the Beaverton Mall and discovered that they sold DVDs. Not only that, they actually have a small section of anime DVDs. I saw the first Bottle Fairy DVD there, but not the second one, alas (which I think just came out, and which I’m really looking forward to). I did end up buying about four DBZ DVDs I didn’t already have, and, well, on the shelf there was a copy of Eiken. I swear, it just popped off the shelf and landed in my hands, and… well, I bought it.

I’m so ashamed.

Words cannot describe how bad it is. In the teaser for the first episode our hero ends up groping the tits of one fabulously overendowed young woman (who, oddly enough, doesn’t react strongly to the experience by screaming or hitting him or contrariwise with deep passionate moans) and then ends up with another preposterously overendowed young woman sitting on his face – after which the credits roll. But that was enough for me. I’ll never doubt J’s judgment again when he says something stinks.

BestBuy also had the first three DVDs (eps 1-14) of the Ah! My Goddess TV series, and I was curious, so I got them too. They were an extremely pleasant surprise.

The art is fantastic. It’s a pure digital animation so everything is clear and clean. The original voice cast is back again, so there are no jarring changes there.

In general it feels a lot more like the movie than like the original OVA. But there are noticeable differences. The original OVA was a romantic drama. The movie was action-adventure. But the TV series is a romantic comedy, and it’s played a lot lighter. It covers some of the same basic material as the OVA but only in gross terms; in fine it’s nearly entirely different. For instance, in the OVA Belldandy and Keiichi find the temple empty and abandoned and move in. Keiichi asks if it’s OK and Belldandy says she has permission – presumably from Kami-sama. That whole section of episode 1 takes about three minutes. In the TV series there’s actually a priest there, and he gives them permission to say. Then, for reasons I won’t go into, he decides he needs to go on a pilgramage and leaves them to live in the place alone. The whole story about finding the temple and being left there to live takes a full episode.

They’re taking their time unfolding the story. Megumi doesn’t show up until ep 5, and Urd until ep 7. In ep 11 they introduce a character which is entirely new to me: Mara. She’s a demon. Skuld shows up in ep 13. On the other hand, we get to see Holy Bell in episode 3. (IIRC, none of the three goddesses summon their angels at all in the OVA, though they all do in the movie.)

Of course, the danger of “taking their time” is that it could feel padded, the way the El Hazard TV series feels padded, but so far this doesn’t. It does feel a bit leisurely, but that’s not the same.

By far the biggest and most pleasant surprise was Belldandy herself. She doesn’t show up until the last few seconds of the first episode, and it’s the strong, determined, self-confident Belldandy of the movie, not the quivering, self-pitying sobbing wimp of the OVA. In the 14 episodes I’ve seen so far she only outright sobs once, and it’s actually legitimate – and it doesn’t last long. In general, what with the overall much lighter touch to the story telling, the level of angst is much reduced, to the point where it isn’t a throbbing headache.

Another pleasant surprise is that there’s a lot of magic in the series. Belldandy and Urd (and Mara) all use magic quite a lot, and it’s a rare episode without at least one spell being cast by someone. The magic is fun, though it seems as if they’re all a lot more limited than I would have thought goddesses (or top-bracket demons) would be. Fact is that Sawanaguchi Sae or Kikuchi Yume could leave any of them in the dust as far as spell casting is concerned, and they aren’t even supernatural beings.

Skuld moves around using water, just as expected. Urd can transmit herself through electric lines and pop out of any TV screen. Belldandy turns out to have a thing for mirrors, and that’s how she moves around when she wants to get somewhere fast. Of course, Belldandy and Urd can also fly. Skuld, on the other hand, doesn’t appear to know any magic yet, but her gizmos are living up to expectations.

Megumi is the only character they really didn’t change from the OVA, and she didn’t need to be changed. She’s still strong, self-reliant, worldly. She still loves her brother and fully approves of him shacking up with Belldandy. She’s not omnipresent but she’s in a lot of the episodes and plays a major part in about four of them, and every time she’s on the screen it’s good. Her reaction to Urd and even more so to Skuld are wonderful.

I’m pretty sure that the three DVDs I’ve got so far are the only ones out, so I still don’t know where it’s heading, but I have suspicions. The last story arc in the OVA involved Belldandy being ordered back to heaven because her presence on Earth is causing problems. They’re laying groundwork that suggests that they’re planning on a similar ending to the TV series, but because they have more time they’re not forcing it. I hope they don’t wallow in it the way the OVA did, but I’m not too worried because so far the TV series hasn’t been wallowing in anything. (Another pleasant surprise is no two-part stories being told; they wrap every story up in a single episode, which also helps to keep things from getting too deep.)

The two strange seniors from the car club keep making appearances, and in the first episode they were thoroughly annoying – which was, in fact, a plot point. But later on they end up mostly being used for comic relief and mostly in small doses. Occasionally they get used for purposes of deus ex machina (e.g. when Mara appears). In the movie the segment they appeared in was easily the worst part of the film, which I invariably skip when I watch it. In the TV series they’re actually not annoying after the first episode.

There’s so much that’s different between the OVA and TV series that it makes me wonder how closely either of them follows the manga. In the OVA, the episode where Urd appears involves a trip to the beach. That’s not the case in the TV series; it happens in Tokyo. There’s no love potion that misfires, and no real misunderstanding between Keiichi and Belldandy – or rather, there is one, but it only takes Belldandy about five seconds to figure out what’s going on, and she doesn’t collapse in tears. Instead, she says (paraphrased) “Urd, get your butt out here.”

All in all I really like what I’ve seen so far, and I can’t emphasize enough just how beautiful the animation is.

Going forward, mostly I’m treading water until the apartment becomes available. I’ve also rented a garage and THAT I can use immediately. Not that I’d want to sleep in it, mind, but I can start buying stuff and leaving it there for when the apartment finally becomes available. It’s all paperwork and legalities at this point. The previous tenant moved out a week ago and went to New York, so it was empty when they showed it to me last Friday. Yesterday when I went over there to put money down on the place, the maintenance guy said he was painting it. They’re going to replace the refrigerator in the next couple days. A rational person would expect that I could move in this weekend. But it has to stay vacant until Feb 3 because the previous tenant paid the rent until then, even though he’s been sleeping in New York for a week. Hooray for rules, regulations, lawyers and bureaucrats.

It’s alright. I’ve got a lot of stuff I need to pick up, and it’s nice that I won’t have to rush. The motel I’m staying at isn’t ridiculously expensive and I’m managing reasonably well. And I think I’ve done more walking in the last week than I had in the previous year.

I don’t yet know what I’m going to do about a net connection. The big remaining puzzle is whether either Comcast or the phone company (ADSL) are willing to give me a permanent IP and let me run a server. I should be able to find that out in the next couple of days, though, and with two throws of the dice I think I have a good chance of hitting at least once at a halfway reasonable price.

…how about this video that mixes equal parts Invasion of the Body Snatchers, Michael Jackson’s Thriller video, and nekomimi chibi joshigakusei.

For offline viewing, there’s a torrent available.

Update: Google video may be short on dancing chibis, but at least they’ve got Morning Musume making cat noises.

…but I don’t think Christian manga has much of a chance in the current market.

Admittedly, putting a cute girl on the cover with the subtitle “bad girl in town” will pull in some eyeballs, and it’s a good time to release anything called “Serenity,” but the interior art is crap. Perhaps if you’d hired the person who drew the cover?

If it shows up at local bookstores, and it’s not shrink-wrapped, I suppose I’ll look inside to see if it’s done well, but I have a hunch the writing is heavy-handed and the art is weak, a sure way to sink this new venture.

PS: the redemptive power of high-school bible study groups is a more fantastic premise than either Eiken or Battle Vixens. Good luck with that.