Here’s the reason I didn’t take a lot of pictures of the view from our hotel window in Tokyo, and why it took so much work to make one of them look decent:

Yes, that’s the in-room television set that was bolted to a stand right by the window. I worked around it in later shots by covering it with my black jacket, but the correct solution would have been to put a rubber lens hood on the camera and press it right up against the glass (this also works with aquariums, if the glass isn’t curved).

There were three reasons I didn’t use the correct solution: first, I forgot to pack a rubber lens hood; second, it wouldn’t have helped anyway, because the hotel next door was lit up for most of the night, spilling light across the window that would have washed out any shots taken from that position; and third, because my little tabletop tripod wouldn’t have fit on the window sill.

For quite a while now, I’ve been meaning to go back and do some cleanup work on the small number of photos I shot out of our hotel room window. The one I originally posted just never looked right to me. This one is the result of some careful Levels work, combined with the updated version of Noise Ninja that works as an Aperture plug-in.

…four points define a wobble. Some months back, I left myself a note to buy the Manfrotto Modo Pocket camera stand when it finally reached the US. I had taken their tabletop tripod with me to Japan, but hadn’t used it much because of the overhead: pull it out of the bag, find a dinner-plate-sized surface to set it up on, take the shot.

I didn’t bother buying any of the other “quickie” mini-tripods that are out there, because most of them struck me as gimmicks first, stabilizers second. The Modo Pocket, though, looked eminently practical:

Small enough to be left on the camera while it’s in your pocket, with a passthrough socket to mount on a larger tripod or monopod. Usable open or closed. Solidly constructed, like most Manfrotto products. A design that derives its cool looks directly from its functionality. It’s even a nice little fidget toy.

What it isn’t is a tripod. If you put a three-legged camera stand down on a surface, it might end up at an odd angle, or even fall over if there’s too much height variation between the legs, but it’s not going to wobble. A four-legged stand is going to wobble on any surface that’s not perfectly flat, and is also going to be subject to variations in manufacture.

The legs on my shiny new Modo Pocket are about two sheets of paper off from being perfectly aligned, which means that it can wobble a bit during long exposures. Adjusting it to perfection is trivial, but even once it’s perfectly aligned on perfectly flat surfaces, it won’t be that way out in the real world.

It can’t be, because it has four fixed-length legs. This is a limitation, not a flaw. Just like it’s not designed to work with an SLR and a superzoom (it would fall over in a heartbeat), it’s not designed to replace a tripod. It’s designed to help the camera in your pocket grab a sharp picture quickly, before you lose the chance. I expect to get some very nice, sharp pictures with this gadget, and I don’t regret the $30 in the least.

Sad, really. Amazon finally delivers my Aperture 2.0 upgrade, and my first thought upon opening the package is, “wow, this manual smells like a freshly-opened Magic: The Gathering booster pack”. Not those cheap, modern, anyone-can-get-some boosters. The good stuff, from the old days, when people would line up around the block to buy a case, then get back in line to buy another one.

Oh, and I didn’t expect it to work, but no, it doesn’t support my old Minolta A2 in its new tethered mode. That was my second thought.

The test last week in my Japanese conversation class covered some useful grammar, including “dou yattara” and “~ka dou ka” (also humble form, about which the less said the better). The structure of the test was that the tutors composed a number of questions in advance, and students were chosen to answer each one. Grading was subjective, but just understanding what you were being asked was as important as composing a grammatically correct answer. There’s no penalty for occasionally passing with “wakarimasen”.

One that stumped a few people was a very polite and grammatically annoying version of “where can I go to see plum blossoms blooming?”. After someone finally got it, I said “my back yard”. It’s not as fancy as a proper Japanese plum garden, but at least I’ve got some.

[Update: Thanks, guys; the check is in the mail. More new-camera-porn here.]

Now that you’re releasing a 24+ megapixel full-frame 35mm CMOS sensor, don’t you feel a little stupid for making some of your high-end Zeiss lenses for the Alpha line APS-C-only? I doubt you’ve actually sold many of them, given the price and scarce distribution, but still, you had to know that full-frame was a requirement for a serious player in the DSLR market, and your recent announcements show that you’re not just keeping the low end of the old Minolta lineup.

Just to be clear on this: if you put that sensor into a body that’s the equivalent of Minolta’s 7 or 9 series (pleasepleaseplease a 9!), you’ve got a customer here already waiting in line.

I finally got around to making a proper noise profile of my little Canon camera, so here’s a quick sample of how well Noise Ninja cleans up an ISO 1600 image. Note that this is just using the default settings; it’s capable of more aggressive noise reduction, but that can eliminate too much detail in some images.

Before:

After: