Movies

Dear James Cameron,


After watching the Avatar trailer, I have only one thing to say: if you’re going to remake Pocahontas as a big-budget SF film, you could at least license the music from Disney.

Das Limpet


When we got down to my house after seeing Spamalot, Nellie wanted to see Holy Grail. As I dug through the DVDs piled on my shelves, she was alternately amused and surprised by the contents of my collection, until I reached the one that turned out to be right above Holy Grail. I showed it to her, and got the reaction I expected: IT MUST BE MINE! (for a brief loan, at least).

When I told the story to Dave at lunch today, his blank stare reminded me how crucial a few years can be when it comes to pop culture. It had simply never occurred to me that someone in my usual circle of friends would never have heard of this:

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Dear Hollywood,


WTF is this? Sherlock Bond?

Double Feature


We’re planning a bad-movie marathon for some upcoming weekend. I’ve already acquired DVDs of some of my more memorable college rentals (in particular, Video Vixens and The Perils of Gwendoline in the Land of the Yik Yak)), but our planning reminded me of two others that weren’t available last time I checked:

…and now they’re mine!

Clearly I've missed something


When did The Rock become a pop-eyed cartoon dad? Because I’d swear that in the absolutely dreadful trailer for Race To Witch Mountain, his facial expressions were produced by animators.

This is how the world ends...


The trailers for Hellboy 2 may or may not be advertising a good action flick. One thing they’re definitely advertising is the creeping doom that is political correctness.

Take a good look at this frame:

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Needs more pylon


Marshall, Will, and Holly reunite to pretend they’re adapting Jules Verne’s Journey to the Center of the Earth. In 3-D. This doesn’t look like a winner.

The benefits of a classical education


Not my education, you understand. I merely quote. More here.

J: My pardon; did I break thy concentration?
Continue! Ah, but now thy tongue is still.
Allow me then to offer a response.
Describe Marsellus Wallace to me, pray.

B: What?

J: What country dost thou hail from?

B: What?

J: How passing strange, for I have traveled far,
And never have I heard tell of this What.
What language speak they in the land of What?

B: What?

J: The Queen’s own English, base knave, dost thou speak it?

B: Aye!

J: Then hearken to my words and answer them!
Describe to me Marsellus Wallace!

B: What?

JULES presses his knife to BRETT’s throat

J: Speak ‘What’ again! Thou cur, cry ‘What’ again!
I dare thee utter ‘What’ again but once!
I dare thee twice and spit upon thy name!
Now, paint for me a portraiture in words,
If thou hast any in thy head but ‘What’,
Of Marsellus Wallace!

B: He is dark.

J: Aye, and what more?

B: His head is shaven bald.

J: Has he the semblance of a harlot?

B: What?

JULES strikes and BRETT cries out

J: Has he the semblance of a harlot?

B: Nay!

J: Then why didst thou attempt to bed him thus?

B: I did not!

J: Aye, thou didst! O, aye, thou didst!
Thou hoped to rape him like a chattel whore,
And sooth, Lord Wallace is displeased to bed
With anyone but she to whom he wed.

“Need a clue, take a clue,
 got a clue, leave a clue”