…how about this video that mixes equal parts Invasion of the Body Snatchers, Michael Jackson’s Thriller video, and nekomimi chibi joshigakusei.

For offline viewing, there’s a torrent available.

Update: Google video may be short on dancing chibis, but at least they’ve got Morning Musume making cat noises.

…but I don’t think Christian manga has much of a chance in the current market.

Admittedly, putting a cute girl on the cover with the subtitle “bad girl in town” will pull in some eyeballs, and it’s a good time to release anything called “Serenity,” but the interior art is crap. Perhaps if you’d hired the person who drew the cover?

If it shows up at local bookstores, and it’s not shrink-wrapped, I suppose I’ll look inside to see if it’s done well, but I have a hunch the writing is heavy-handed and the art is weak, a sure way to sink this new venture.

PS: the redemptive power of high-school bible study groups is a more fantastic premise than either Eiken or Battle Vixens. Good luck with that.

On Tuesday, a server we rely on that’s located in another state, under someone else’s control, went poof. They have another machine we can upload to, though, so I changed all references to point to it.

All the ones I knew about, that is. A little-used script in a particular branch of our software had a hardcoded reference to the dead host, which it used to download previous uploads to produce a small delta release. The result, of course, was a failure Wednesday that left the QA group twiddling their thumbs until I could fix things. In the end, other failures turned up that prevented them from getting the delta release, but they could live with a full release, and that’s what they got.

That was my day from about 7am to 2pm, not counting the repeated interruptions as I explained to people that the backup server we were uploading to had about half the bandwidth of the usual connection, so data was arriving more slowly.

Things proceeded normally for a few hours, until the next fire at 4:30pm. A server responsible for half a dozen test builds and two release builds had a sudden attack of amnesia, forgetting that a 200GB RAID volume was supposed to be full of data. A disk swap brought it back to life as a working empty volume, but by that time I’d moved all the builds to other machines. I’ll test it today before putting it back in service.

Just as I was finishing up with that mess and verifying that the builds would work in their new homes, our primary internal DNS/NIS server went down. The poor soul who’d just finished rebuilding my RAID volume had barely gotten back to his desk when he had to walk three blocks back to the data center. Once that machine was healthy again, I cleaned up some lock files so that test builds would resume, and waited for the email telling me what was supposed to be on the custom production CD-ROM they’re shipping overseas today.

That, of course, was IT’s cue to take down the mail server for maintenance. Planned and announced, of course, but also open-ended, so I had no idea when it would be back. Didn’t matter, though, because then my DSL line went down. I’d never made it out of the house, you see, and was doing all of this remotely.

The email I was waiting for went out at 9:30pm, I got it at 10:45pm, and kicked the custom build off at 11pm. It finished building at 12:30am and started the imaging process, which makes a quick query to the Perforce server.

Guess what went down for backups at 12am, blocking all requests until it completed at around 3am? Nap time for J!

At 4:45am I woke up, checked the image, mailed off a signing request so it could actually be used to boot a production box, set the alarm clock for 6:45am, and went back to sleep.

This was not a day for deep, thought-provoking anime. It was a day for Grenadier disc 2 and Maburaho disc 4 (which arrived from Anime Corner Store just about the time the mail server went down). I considered getting started on DearS disc 2 and Girls Bravo disc 3, which also showed up, but decided instead to make a badly-needed grocery run.

I can see why a lot of reviewers find it easy to pan this series. High-school loser hero? Check. Missing parents? Check. Dream girl who suddenly appears from another world and moves in with him? Check. Girl-next-door type who can’t confess her feelings about him? Check. More strange cute girls showing up? Check. Insane teacher? Check. Color-coded fighting team? Check. Based on a PS2 game? Check. Fan-service? Check, check, check.

If you’re looking for truly original ideas, compelling plots, and genre-breaking characterization, you’re in the wrong place. Yumeria is an ecchi harem comedy with a touch of sentai and a dollop of sci-fi, nothing more. It’s a fun show, though, with excellent character designs, good voice acting, and a story that’s just big enough to last a dozen episodes. And Mone.

Mone. Mone mone. Monene. Mone? Mone! Mone mone. Mone.

If her remarkably expressive one-word vocabulary doesn’t drive you insane, Mone will kawaii her way into your heart.

A few of the in-jokes are a bit forced, and the insane teacher is particularly gratuitous, but most of the humor flows quite naturally from the characters and the situation. I see no reason not to buy, and enjoy, the rest of the series.

ADV is closing out a lot of anime DVDs. Some are older series now available in box sets, but a few are recent releases, such as the first disc of Yumeria, which came out less than three weeks ago.

Let’s recap. Disc 1 introduced a spunky teen heroine, ruined her life, set up a plot, and began introducing the rest of the cast. Disc 2 followed her through her new life and finished introducing the cast, tossing out the occasional plot crumb. Disc 3 was stuffed with plot crumbs like you’d stuff a turkey for Thanksgiving, not entirely to its benefit. All three were amusing and entertaining, with the exception of one infodump that’s badly delivered by a throwaway character.

In an ordinary plot-driven anime series, self-contained episodes that don’t advance the plot are often regarded as filler. Sometimes they contain important character development, but far too often they add nothing, not even decent art. With Daphne‘s scattershot approach to plotting, at least 10 of the 16 episodes to date would count as filler, so it’s either a terrible attempt at a plot-driven series, or the plot is just a backdrop for the comedy. I’d prefer the former, since they worked so hard at the beginning to make me care about Maia and her problems, but with only two discs to go, it’s not looking good.

Disc 4 is a plot-free zone. It’s fun even when it’s predictable, and includes just enough plot crumbs to keep you wondering if they’re ever going to tie things together, but that’s it. Judging from the fansub reviews, this trend will continue until episode 21, after which it’s wall-to-wall plotty goodness until the end. At least one reviewer thought the ending made up for the show’s flaws, so I’ve got my fingers crossed.

File under peculiar the fact that the box set for this series is sized for seven discs, but the series is being released on only six. My guess is that Geneon originally intended to put only three episodes on four of the discs, but market conditions and fan feedback led them to shrink it a bit. As good as the music CD is, it won’t quite fill the remaining space in the box, but I can’t really complain about a consistent 4-episode-per-disc release.

Stop me if you’ve heard this before:

• Our Hero is a high-school loser, who's never had a girlfriend.
• Girl Next Door bullies him because she doesn't have the courage to confess her true feelings.
• Dream Girl suddenly appears from another world.
• DG moves in with OH, for no apparent reason.
• OH ends up in a Compromising Position with DG, and is caught by GND, who assumes the worst without waiting for an explanation.
• This is just the first CP; there are many more to come.
• DG has big boobs (usually bigger than GND's), frequently displayed to best advantage.
• DG has superpowers. (optional: frequent property destruction)
• DG has an unusual and/or unusually large appetite.
• DG knows nothing about life on Earth, and needs to be looked after.
• More Strange Cute Girls begin to appear, some of whom compete for OH's affection.
• Wacky Hijinks ensue.
• OH's classmates enthusiastically accept the DG and SCGs, even when their WH result in (temporary) injury, embarrassment, or property damage.
• Handsome Rival attempts to steal/seduce/acquire DG, SCGs, and sometimes GND.
• DG is utterly clueless about HR's intentions.
• More WH ensue.
• Lather, Rinse, Repeat.

How does Girls Bravo differentiate itself from this basic formula? Lots of bare tits, plus more than the usual complement of bare asses. The animators pushed it so far that the Japanese TV networks made them add fog effects to cover the girls up a bit. The fans knew what they were missing, though, so the DVD releases are fully-nippled and unfogged.

DearS tries a different approach, taking its basic setting from the film Alien Nation, replacing funky-skulled humanoids with half-dressed hotties, mostly female. Where most of AN’s slaves wanted freedom and equality, though, the DearS are conditioned to need masters, something they try to keep from their new hosts on Earth. One would think that the prominent dog collars they all wear would be a dead giveaway, but a year after arrival, it’s still a secret. Until the night a “defective” DearS is accidentally released into the wild, or, more precisely, Our Hero’s apartment…

OH apparently spent more time watching V than Alien Nation, so he is perhaps the only teenager in the world who distrusts the motives of the cuddly aliens. This, combined with a hint of moral fiber, keeps him from taking advantage of his willing slave girl.

Clichés aside, are they any good? Both are generally well-drawn and well-acted, with a good mix of humor and fan-service. Girls Bravo is plot-free episodic comedy that makes no attempt to explain the “other world” or its magic; Miharu (DG) and the women of Seiren (SCGs) are from somewhere else, they have a way to get to Earth, and that’s that. The manga it’s based on doesn’t seem to have any explanations to offer, either; it’s just not important.

DearS, on the other hand, has plenty of story potential, and at least tries to set up and explain some mysteries associated with the setting. They rearranged the first three volumes of the manga to come up with a relatively self-contained storyline, while leaving plenty of things to explain in a second season.

They didn’t get a second season. Girls Bravo did. Such is life.

On the whole, I prefer DearS. It’s frequently compared to Chobits and accused of blatant, vicious misogyny, but neither comment makes sense to me. The two women who create the manga know that they’re writing for a mostly young, mostly male audience, but their slave girls aren’t helpless naifs used and abused by their captors (those anime usually involve tentacles…). They’re slaves put into a situation where they’re forced to confront their conditioning.

Ren (DG) is a person with a stunted sense of free will, who rapidly adapts to her new life; Chobits’ Chii is not quite a house pet, not quite a person, and she’ll never really change. Ren, Takeya (OH), and Miu (SCG) all grow and change, and they’re all moving away from master/slave stereotypes. Neneko (GND) grows up a bit, too, although she starts out way ahead of the others.

Girls Bravo is amusing fluff, and based on the fansub reviews, I think it will deliver what it promises. DearS is a promising start at telling a story that will only be finished in the manga, but it’s still a good show, and I honestly like the major characters. As an added bonus, the end credits sequence more than satisfies my dancing-chibi fetish, accompanied by a painfully cute j-pop song.

Maburaho, Daphne in the Brilliant Blue, and Haibane Renmei. What do they have in common, apart from seiyuu Junko Noda?

Not much, really, except that I was watching them at more or less the same time. Maburaho is a pretty standard harem comedy, with lusciously drawn girls, some good voice acting, and a plot that falls apart if you so much as look at it. The director knows his fluff, though, and the show makes no pretense of being anything more.

Daphne is equal parts action, comedy, and fan-service, with a plot that could actually be pretty good if they shared it with the viewers. It has the potential to be more than fluff, but the first-time director has pretty much blown the pacing. The first two discs are spent introducing the cast, and a good chunk of the third is consumed by two lengthy, apparently-unrelated expository lumps (one of which is both dreadfully boring and immersion-breaking). Maia is an engaging heroine, and some of the other characters are nicely rounded (yeah, that way, too), but the plot crumbs are just too scattered right now.

Haibane Renmei is so good it hurts, literally, which is why it’s nice to have some fluff around when you need to recover your equilibrium. To discuss it is to spoil it. You just need to set aside an evening or four, relax, and let the story unfold.

What’s bad about them? Beware spoilers!

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