It’s hard to look forward to a relaxing vacation when the airline keeps silently canceling your outgoing flight. This is the second time my sister has checked her upcoming itineraries and discovered that our flight from San Franciso to Osaka was missing. No notification email, no refund, no hint on the site that we ever booked such a flight, and not much concern from the folks who answer the phones. If the higher-level support rep doesn’t sweeten the deal for us after the second screw, I will be “less than polite” about it.

Our new flight connects through Tokyo, adding three hours to the day. The good news is that a flight to Tokyo is less likely to be canceled, and the domestic leg is JAL.

Grumble. Clearly I should stop using the Brickmuppet Travel Agency, before we get to Kyoto and find our hotel burned down.

Sada-yan gets all the girls. Chiba-chan and Kin-chan get some maid-time as well, but Sada-yan is The Man.

And they did what with the space elevator?

And gosh, where-o-where did that third box of chocolates come from in Kio’s bookbag? Is it finally time for a third confession?

Also, the Americans-as-bad-guys thing is getting old. Yes, the villains have been pulling their strings for a very long time, and it’s the country they draw most of their local resources from, but it feels like there’s a bit of authorial axe-grinding mixed in. Given the post-war history of Okinawa, I can understand it, but I find it more distracting than perhaps the Japanese audience does.

If I were assembling a second season of the anime, so far I’d have two episodes to hit the highlights of books 5 and 6 as a recap and new-villain introduction, three for the mix of fun and non-enemy-driven crisis in book 7, and two or three for book 8, leaving room for some filler before the big action-packed finale. What I don’t know yet is if book 10 can be that finale.

Book 9 is side stories, one of which was already used (quite well) as episode 9 of the first series. From a casual skim of the pictures and contents, book 10 has major conflict, but I don’t know if it will make a satisfying finale, and a lot of the things they changed or skipped for the anime will make it hard to adapt. Director Kawasaki has a significant role, and Jens-in-exile is a much more sympathetic character (which will take a lot of work; anime Jens is about as warm and cuddly as a hacksaw). And then there’s The Ichika Problem; she’s hooked into the story any number of ways, and the OVA’s casual revelation that no one is surprised she’s a catgirl is problematic. They definitely shouldn’t bring in the Shureio crew at this late date, but they still have to explain how she’s connected to all the players, and spend some screen time getting the other Catians familiar with her (pleasepleaseplease use the drinking party with Chaika).

For good filler, I want Aoi’s family history, which I only know about through the Wikipedia entry. Unfortunately, that would bring in a good chunk of books 12 and 13; to make it work, they may need two episodes, and I’m not sure they can fit it into the continuity. That might also make a good OVA, if they never get another season.

Am I still enjoying the books? Yes, but their serial nature is a bit annoying sometimes. If I could read them at full speed, the developments among the supporting cast wouldn’t seem so agonizingly slow, but as it is, they tend to show up for one or two scenes, have an interesting moment, and then vanish again without resolving any of the open questions. For instance, I have a real problem with Ryunnu still not knowing that Jens is on Earth. Not only are they both running around in Tokyo, but Ryunnu has been hacking around behind her boss’s back to find out what’s really going on, and Muttley is now her assistant and confidant. I know this all comes to a head in book 10, but a lot of their actions are driven by their connection as sisters, and it’s been months.

…and now book 9 is nothing but side stories. Good ones, I expect, but still, it will drag things out for me. Grumble.

1. Full-disk encryption is unlocked at power-on.
2. Users not authorized to unlock the disk can use the system normally once it has been unlocked. (subject to random kernel panics...)
3. Sleep does not lock the disk.
4. Hibernate does.
5. A sleeping Mac will automatically switch from sleep to hibernate if power is interrupted or the battery gets low.
6. A sleeping Mac may switch to hibernate under other circumstances, such as "been asleep for X minutes". The hooks are there, but I haven't seen this behavior yet on one that's not low on battery.
7. [Update] normally, when you shut down, you have the option to choose not to reopen applications on boot; if, however, other people are logged in, the override-and-shutdown-anyway dialog does not include this option. And, of course, you're not allowed to change the default behavior.
8. [Update] If you wake up the machine while it's very low on battery power, and manage to enter your password before it insists on going back to sleep, then when you plug it in and wake it up, you will not be required to enter your password. The "emergency low-power" sleep does not re-lock the screen.

Taken separately, each piece makes perfect sense. It’s only in combination that there are some surprising behaviors, which can become even more fun when you add in some of the poorly-thought-out iPadifications.

Apple’s goal (incompletely implemented and rushed out the door) is to blur the distinction between “on” and “off” at all levels, so that your Mac, like your iPad, is always in the state you left it, whether you put it to sleep, shut it off, crashed it, or whatever. For a single-user, single-task device like the iPad, this is a reasonable goal. For a laptop, especially one that doesn’t run only Apple-supplied software and may be used in very different environments, it may be the exact opposite of a good idea.

For a laptop that contains data sensitive enough to encrypt, it’s downright stupid. Left Hand, go have a little chat with Right Hand about what you’re doing, mmkay?

Just finished chapter 3, and things are heating up. Kio has persuaded the others that it’s time to go on the offensive, and stop just reacting to their opponent’s machinations. And it’s time for a permanent embassy. Also, it’s almost Valentine’s Day, so chocolates are being acquired and/or assembled for delivery, especially by Sara, who has a lot of assistoroids to bake for.

Jens is settling into her exile, working as a waitress at Colonel’s coffee shop in Tokyo. The neighbors have long since become accustomed to the local Dogs and their assistoroid, and accept Jens without hesitation.

Ryunnu is horrified to discover that she’s one of the bad guys. She’s a very good analyst, and her research programs managed to assemble scattered facts that revealed some very unpleasant truths about their actions on Earth. The alliance of three outlaw races hasn’t just been illicitly engaged in mining and trade, they’ve been deliberately interfering in international relations to keep Earth divided and controllable. She thinks of her race as honorable, proud, and noble, and wishes she could talk things over with her big sister. She settles for Muttley, swearing him to secrecy.

Mamami, who wasn’t on the ship last book to meet little Raama, gets a shock as she meets Chaika’s oldest daughter Seruka, a quite tall, gray-clad, short-haired (lit: ベリーショート), reserved catgirl about Eris’ age, who seems a bit embarrassed by her mother. Her reaction to mention of her father suggests that he’s a bit of a character as well.

The way to Seruka’s heart is to show her your wood. Apparently she spent her childhood on a forest planet that Chaika used to be stationed on, and has found artificial wood a poor substitute. She practically snuggles the wooden posts in Kio’s house.

Seruka is helping with the embassy move (from the Wikipedia entry, I gather she becomes the security chief there), and has an assistoroid with her who shows that Earth culture is definitely having an impact on the ship. Last book, the only custom models were seen at the repair depot, with the rest being standard models that varied only by color.

Seruka’s wears a beret, a leather jacket, and an eyepatch. When instructed to gather data on the layout, contents, and wiring of Kio’s house, he pulls out a recording device (which looks suspiciously like an old 8mm film camera) and begins moving around in a crouch. When Sada-yan asks him why, he answers “low-angle is the man’s angle” (lit: ろーあんぐるはおとこのかくどだ)

His name? Snake.

I confess, the one that caught my eye was the pig. I think a pork-positive icon would be more informative, given that most of their brands do not at first glance conjure up the image of delicious bacon fat. Indeed, in most product lines, almost everything has a no-porcine-enzymes icon on it, and many of the ones that are missing the icon are still listed on the pork-free page.

I’m not complaining about the detailed nutritional/allergy/religious information on their web site, I’m mostly just amused by their attempt to represent complex concepts with “clear” icons. In particular, the Baked icon that looks like Bacon, the nearly-identical Lactose-free and MSG-free bottles, and the Additive-free drop of oil.

On the whole, I’m glad that I hooked back up with Disk Network and subscribed to TV Japan, but only because my box has DVR functionality. If I were limited to what’s on when I’m home, it wouldn’t be worth the $25/month.

My goal was to listen to a lot more Japanese, and more importantly, to unexpected Japanese, delivered in a variety of ways. Because I’m incapable of ignoring human voices (which really sucks when you work in a cubicle…), I expected the constant exposure to tug at my brain a little, as I tried to understand it, and that’s what I’m getting.

In particular, because I’m generally not actively watching, I can’t anticipate the general category of phrases I’m going to hear. Maybe it’s a period drama with formal speech, maybe it’s a surly teenager griping, maybe it’s a detective grilling a suspect, etc. This has done a lot to break me of the habit of trying to analyze or translate sentences; either I understand it or I don’t. If I got it, I don’t have time to set up for the possible responses; all I can do is keep going until I end up baffled. This is the same approach that gets me through light novels, where if I stop too long to reason something out, I’m no longer reading. I’ve built myself a much stronger support system for the novels, but then, it’s simply harder to read the languange than it is to listen to it.

Things I skip:

• children's shows
• anything with English, especially Japanese dubbed over still-audible English
• any show where they frequently talk over music that has vocals (travel, soft news, talk shows, etc)
• health, beauty, and exercise shows; they can be fun to look at, but the speech is deadly dull
• large chunks of shows like Music Station; too much rap and hip-hop influence
• most non-pop music shows, especially amateur singing
• anime; they simply don't run anything interesting
• angsty teen school drama
• stand-up comedy

The English adaptation of Chantelise is out. Free demo, 10% off through Friday. From the folks who brought you Recettear…

If you turn on the new Filevault full-disk encryption on a system that has more than one user, and have a secondary user (possibly limited to ones not authorized to unlock the disk), then if you allow the screensaver to activate (which by default will also lock the screen), clicking the “Switch User” button can cause a kernel panic. Not all screensavers will do this, but it is 100% repeatable for the ones that do.

Ironically, I first had this happen while running Jamie Zawinski’s BSOD screensaver…

[Update: okay, switching to a “safe” screensaver isn’t good enough if you actually log into the secondary account and then log back out. That’s triggering a panic for me, even with one of Apple’s supplied screensavers. Also, once the disk has been unlocked by an authorized user, it appears non-authorized users can log in just fine.]